Mouse On Mars

“Mouse on Mars” at St Paul’s on Monday 22nd October 2018

Mouse on Mars are an electronic music duo formed in Germany in 1993, consisting of Jan St. Werner from Köln, and Andi Toma from Düsseldorf. Their music is a blend of electronic genres including but not limited to IDMdubkrautrockbreakbeat, and ambient, featuring heavy use of organic analog synth and cross-frequency modulation. Their music also features live instrumentation including stringshornsdrumsbass and guitar.

Mouse on Mars is recognised as one of Germany’s most defining and versatile electronic music projects.

On Monday the 22nd October 2018, the duo will present an audio-visual show where part of their recordings will be presented

Organized by Arte Atene and Groove Productions

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EVENSONG 19

XIX Choral Evensong at St Paul’s Anglican Church Athens

The 19th Choral Evensong with Scola Cantorum will take place on Sunday 28th October 2018 at 6.30pm.

Collegium & Cappella Sancti Pauli conducted by Iason Marmaras

Minister: The Reverend Canon Leonard Doolan

free admission, discretionary donation

 

The Renaissance Choral Evensong services at St Paul’s are organised by the Schola Cantorum Sancti Pauli, the Athens Centre for Early Music, and St Paul’s Anglican Church.

The choir Cappella Sancti Pauli, under the direction of Iason Marmaras, sing a series of Choral Evensong services that aim to revive the musical and liturgical practice at Cathedrals and Chapels during the Renaissance, but also the experience that musicians had of this music at those times, looking at the music as a functional part of the liturgy, rather than as a building-block for concerts.

 

More information at:  schola.gr/19,     www.scholacantorum.gr

St Lamberti

Kantorei St Lamberti, Hildesheim, Germany

An ensemble from Germany with a choir of 30 persons and an orchestra of 10
One hour programme entitled “Dona Nobis Pacem” (Peace on earth)
Programme:
Marc-Antoine Charpentier, Messe di Minuit, H.9
J. S. Bach, Double violin concerto, BWV 1043
W.A.Mozart, Laudate Dominum for Choir and Orchestra, K.339
Time: 19.00 hrs
Admission:  Free but donation required

 

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Report of the Anglican Church in Athens to the Archdeaconry Synod

Our Archdeacon, Colin Williams, has asked all members of the Archdeaconry Synod, to write a report on the activities of the Chaplaincy over the past year.

Here is our report – and what a busy year it has been! We hope you enjoy reading it and that it will encourage you to come and join us for a service, or one of our bazaars or a concert.

 

Report from the Anglican Church in Greece

 

(St. Andrew’s Corfu and St. Thomas’s Crete will present their own reports as they have Synod Members)

Note:  The  legalization of the Church in Greece was completed towards the time of Synod 2017. The new procedures required of us have been put to the test with the appointment of a new Assistant Chaplain to Crete, further complicated by the fact that he is from outside the EU. The Board of the Anglican Church in Greece is due to meet later in the Autumn for its required annual meeting.

The order in which the following are placed has no bearing on their relative importance!

St. Paul’s Athens

  1. We continue to have a Sunday Liturgy at 10.15am every Sunday. As there is only one priest available, occasionally this service has to be a Liturgy of the Word, conducted either by Deacon Christine Saccali, or Reader Sherry Angelis. Our attendances at the 10.15am Liturgy are gradually increasing, which is very pleasing. The congregation is a mix of British women married to Greeks, individuals or families in Athens for short periods of work or teaching/study time, Africans (currently from South Africa, Nigeria, Sierra Leone, Uganda, Kenya) and their families, occasional refugees (from Iran, Syria, China, and political refugees from Turkey), some Greeks who are generally disaffected with the Greek Orthodox Church, and a constant stream of tourists, pilgrims and visitors. Apart from holiday times the congregation numbers are often in the 90’s.

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Sermon preached after the devastating fires of East Attica

Trinity 9 (29th July 2018)  2 Kings 4, 42-44; Ephesians 3, 14-21; John 6, 1-21   (Preached in St. Paul’s Athens)

 

Revd. Canon Leonard Doolan, Senior Chaplain, Greece.

 

When a priest asks an elderly man why he comes into church for a time each day, the elderly man  says, ‘Sometimes I sit and pray. Sometimes I just sit.  ’Sometimes I sit and pray. Sometimes I just sit.’

The three readings set for our liturgy today have a common theme, namely the abundance of God. God is the great and generous provider, offering to humanity more than we could ever ask or deserve.

A  hymn so wonderfully says, Finest bread I will provide, till their hearts are satisfied.

In the first reading Elisha is faced with a dilemma. How can he feed a hundred people with insufficient grain to make the bread? God says,’ Let them eat. They shall eat and have some left.’

God is indeed a God of bounty and of endless generosity.

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Queens Photo Gallery

QUEENS’ COLLEGE CAMBRIDGE CHOIR SING AT ST PAUL’S

Janet and Harry Anathassopoulou

 

On Friday July 20th the choir of Queens’ College Cambridge University visited Athens and gave a concert at St. Paul’s Anglican Church. For all us who were lucky enough to be there it was a beautiful and uplifting evening. The choir of male and female voices was conducted by Ralph Allwood MBE. His introduction to each piece was always amusing and informative and heightened our anticipation.

 

The programme included music from the 16th to the 20th Century. The composers ranged from Italian, Spanish, French, German, English and Australian to Irish. The concert began with four 16th Century Latin Chants. The type of music that can transport one to another plane. Perfect pitch and perfect harmony. As the choirmaster had said at the start, although such music is often sad, it is this very sadness that lifts our soul! One well known piece, that most of us knew, was “Song for Athene” by John Tavener. Even if not known by name, it was the song sung at Diana Princess of Wales’ funeral. Sad and beautiful it drew a “bravo” from the audience.

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“Ad Clerum” – Bishop Robert writes to the Congregations of the Diocese in Europe

Trinity Season 2018

AD CLERUM

 

Dear Brothers and Sisters in Christ,

As a choirboy in the 1960s, I used to amuse myself during what felt like interminable sermons by flicking through the pages of the Book of Common Prayer. I quickly formed the view that, after the exciting events of Christmas, Epiphany, Easter and Whitsun the author’s imagination had run out when it came to the Trinity season. So we had a succession of Sundays ‘after Trinity’ from the first, the second, the third…right up to the twenty-fifth until things restart in Advent. All very dull and boring.

These days, I see it differently. The celebration of Trinity Sunday draws together the divine activity in creation and redemption made known through the threefold action of God – Father, Son and Holy Spirit. Human beings are incorporated into this life through faith and baptism in the name of the Trinity. Our lives are to be patterned individually and corporately upon a God who makes himself known as a diverse unity. And so all human life is lived as a series of events ‘after Trinity’ until the last great day when God in his Advent makes all things new.

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The Choir of Queens’ College Cambridge University 20th July 2018

The Choir of the Chapel of Queens’ College Cambridge will be performing at St Paul’s on Friday 20th July 2018 at 20.30 hrs.  Admission free.

Queens’ College Choir

Queens’ College Choir is one of the leading mixed-voice choirs in Cambridge. While twentieth-century music forms the core of the choir’s repertoire, the choir increasingly performs Baroque and contemporary music, reflecting the specialisms of the Director of Music. The choir is regularly joined by a group of student instrumentalists, the Queens’ Chapel Players, enabling the liturgical performance of concerted music. The Choir’s CD recordings have attracted widespread critical acclaim. Their most recent disc, ‘For the Wings of a Dove: Music of Supplication and Hope’, is based on settings of the psalms and includes Mendelssohn’s famous setting of Psalm 51, ‘Hear my prayer’. In recent years the Choir has performed in Hong Kong, Switzerland, France, Germany, Southern Italy, Belgium, Hungary and the USA.

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